This collection of sculpture represents some twenty plus pieces of artwork located on our Carbondale campus. Many of the pieces have identifying markers listing Art-In-Architecture Program or Art Capital Development, State of Illinois. The Illinois General Assembly created this program as part of the Capital Development Board in 1977. The purpose is the promotion and preservation of the arts by securing suitable works of art for the adornment of public buildings constructed or subjected to major renovation by the state or which utilize State funds.
Artists are selected and commissions are awarded based upon the recommendations of a committee made up of community members, art professionals, the project architect, and representatives of the using agency where the work will be located.
Sculptures On Campus
Delyte Morris
Fredda Brilliant
Delyte Morris (1907-1982) became president of Southern Illinois University in 1948-1970. During his leadership, he transformed the university from a teacher’s college into a research university.
Jacques Henri-Bernardin, the French writer best known for Paul et Virginie, a short novel about innocent love often associated with the themes of The Enlightment, about two childhood friends who later fall in love.
The Memphis Bench was installed in 1986 and is made of cast iron and red oak. The supports consist of several smiling blue garfish and its name Memphis is part of the cast supports.
Trova’s “AV-A-7” sculpture was made in 1977 and installed in the sculpture garden in 1980. The artist left evidence of his hand work in the welded seams and visible bolts.
This statue of Dorothy Morris, wife of Dr. Delyte Morris, President of Southern Illinois University from 1948 to 1970. Mrs. Morris is regarded equally as important in the history of Southern Illinois University.
This concrete sculpture was commissioned by the State of Illinois’ Percent for Art Program and installed in 1991.The artist pays tribute to the 695 confirmed fatalities of the Tri-State tornado that tracked across southern Missouri, Illinois and Indiana.
These three Salukis, fashioned in a running formation represent the past, present and future students here at Southern Illinois University on the Carbondale campus.
This bright red sculpture was installed in 1995 as part of the State of Illinois’ Art-in-Architecture program. The artist’s signature can be found in the lower panel on the left-hand side.
Horvath was born in Columbus, Ohio. He was an Art Director in Chicago, Nebraska and Rockford, Illinois. After thirty-five years as an art administrator, he turned to sculpture as his main medium and career.
“Reaper” was commissioned by the State of Illinois Percent for Art Program and installed in 1983. The acquisition and installation were part of the new Law Building that opened in 1981.
Growing up on the South Side of Chicago, McCullough’s roots run deep in the city. McCullough attended Illinois State and earned both his BA and MA degrees in Art.
“Momentum” was commissioned by the Illinois Capital Development Board, Illinois Percent for Art Program and installed in 2004. Medwedeff explains “that each sculpture is a narrative of structure.
“Saluki” is an original cast bronze sculpture by Newton who is a noted animal sculptor and Saluki breeder. Newton is also a printmaker known for his canine work.
Ms. Prusacki earned her Bachelor of Science degree in Architectural Studies in 2002 from SIUC and her Master of Architecture from Washington University in St. Louis in 2004.
In 2005, “Wings of Knowledge was commissioned to augment the extensive renovation of Morris Library. Evan Lewis has been producing and exhibiting his outdoor kinetic wind sculptures since 1984.
”Untitled” is a hollow steel sculpture by Paul D. McCormick a former Southern Illinois University student that was selected and purchased by the graduating class of 1993. The selection was part of a student competition.
Nicholas Vergette was a British potter and sculptor trained in Europe at Central School of Art and Design in London. He produced ceramic murals and figurative works for architectural settings during 1950-1960s.